Peter Robinson: Pronto Proto - Peter Robinson

Peter Robinson: Pronto Proto

Peter Robinson

Peter Robinson: Pronto Proto

Peter Robinson: Pronto Proto  14.09.2017 — 28.10.2017, Opening 14.09.2017

<em>Peter Robinson: Pronto Proto </em>
                        14.09.2017  —  28.10.2017, Opening 14.09.2017

Peter Robinson: Pronto Proto  14.09.2017 — 28.10.2017, Opening 14.09.2017, Exhibition view

<em>Peter Robinson: Pronto Proto </em>
                        14.09.2017  —  28.10.2017, Opening 14.09.2017

Peter Robinson: Pronto Proto  14.09.2017 — 28.10.2017, Opening 14.09.2017, Exhibition view

<em>Peter Robinson: Pronto Proto </em>
                        14.09.2017  —  28.10.2017, Opening 14.09.2017

Peter Robinson: Pronto Proto  14.09.2017 — 28.10.2017, Opening 14.09.2017, Exhibition view

<em>Peter Robinson: Pronto Proto </em>
                        14.09.2017  —  28.10.2017, Opening 14.09.2017

Peter Robinson: Pronto Proto  14.09.2017 — 28.10.2017, Opening 14.09.2017, Exhibition view

<em>Peter Robinson: Pronto Proto </em>
                        14.09.2017  —  28.10.2017, Opening 14.09.2017

Peter Robinson: Pronto Proto  14.09.2017 — 28.10.2017, Opening 14.09.2017, Exhibition view

<em>Peter Robinson: Pronto Proto </em>
                        14.09.2017  —  28.10.2017, Opening 14.09.2017

Peter Robinson: Pronto Proto  14.09.2017 — 28.10.2017, Opening 14.09.2017, Exhibition view

Peter Robinson

Peter Robinson Pronto Proto , 2017, Annealed steel, 18,5 x 21 x 4,5 cm, , unique artwork, Photo: Aurélien Mole

Peter Robinson

Peter Robinson Coil 2 , 2017, Iron, 43 x 6 x 7 cm, , unique artwork, Photo: Aurélien Mole

Peter Robinson

Peter Robinson Ensemble , 2017, Steel pins and magnet, 6,5 x 1,5 x 2,5 cm, , unique artwork, Photo: Aurélien Mole

Peter Robinson

Peter Robinson Notation , 2017, Annealed steel, 32 x 5 x 1 cm, , unique artwork, Photo: Aurélien Mole

Peter Robinson

Peter Robinson Cluster , 2017, Steel pins and magnet, 7 x 6 x 6 cm, , unique artwork, Photo: Aurélien Mole

Peter Robinson

Peter Robinson Peaks , 2017, Annealed steel, 18 x 27 x 0,2 cm, , unique artwork, Photo: Aurélien Mole

Peter Robinson

Peter Robinson Tangle , 2017, Metal, 10 x 7,5 x 4,5 cm, , unique artwork, Photo: Aurélien Mole

Peter Robinson

Peter Robinson Proto , 2017, Annealed steel, 33 x 5 x 0,2 cm, , unique artwork, Photo: Aurélien Mole

Peter Robinson

Peter Robinson Petite Constellation , 2017, Annealed steel, 38 x 50 x 40 cm approx., , unique artwork, Photo: Aurélien Mole

Peter Robinson

Peter Robinson Ascent , 2017, Annealed steel, 23 x 17 x 0,2 cm, , unique artwork, Photo: Aurélien Mole

Peter Robinson

Peter Robinson Sign 2 , 2017, Annealed steel and iron, 34,5 x 3 x 7 cm, , unique artwork, Photo: Aurélien Mole

Peter Robinson

Peter Robinson Notations , 2017, Annealed steel, 30 x 17 x 2,5 cm, , unique artwork, Photo: Aurélien Mole

Peter Robinson

Peter Robinson Cluster , 2017, Annealed steel, 45 x 20 x 17 cm, , unique artwork, Photo: Aurélien Mole

Peter Robinson

Peter Robinson Diagram , 2017, Metal, 11 x 10 x 9 cm, , unique artwork, Photo: Aurélien Mole

Peter Robinson

Peter Robinson Hanger , 2017, Steel pins and magnet, 3,5 x 3 x 2 cm, , unique artwork, Photo: Aurélien Mole, Collection Alexis Jakubowicz, Paris

Peter Robinson

Peter Robinson Over Under , 2017, Annealed steel, 28,6 x 1,5 x 0,2 cm, , unique artwork, Photo: Aurélien Mole

Peter Robinson

Peter Robinson Replicas , 2017, Annealed steel, 31 x 31 x 3 cm, , unique artwork, Photo: Aurélien Mole

Peter Robinson

Peter Robinson Sign 1 , 2017, Annealed steel, 19,5 x 9 x 0,2 cm, , unique artwork, Photo: Aurélien Mole

Peter Robinson

Peter Robinson Coil 1 , 2017, Annealed steel, 4,5 x 4 x 38,5 cm, , unique artwork, Photo: Aurélien Mole

Peter Robinson

Peter Robinson Grande Constellation , 2017, Annealed steel, 58 x 60 x 50 cm approx., , unique artwork, Photo: Aurélien Mole

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Presentation :

Peter Robinson's new work is perhaps best described through negative definitions. It is anti-monumental, does not subscribe to high production values or heroic gestures and resists being easily interpreted. Subtlety,  modesty and lightness of touch and are qualities that are put forward instead. A kind of proto-language is suggested one in which the both the letterforms and syntax still seem to be within the process of formation. The installation feels rigorous and intentional but in the same breath highly subjective placing it in a strange space between reason and intuition. Although adhering to gallery conditions the work is casually presented indexing Robinson's  method of making his work in situ. This has the effect of blurring the boundaries between production and presentation, the studio and gallery essentially softening the authority of the white cube.